High-Low likes Darkness and Gulp!

• The Boston Comics Roundtable's annual Hellbound anthologies have grown increasingly stylish in presentation

  Rob Clough
  via High-Low

• ...There are no clunkers in this collection and the editing by Moynihan and Dan Flynn carefully shuffles the stories so as to avoid repeating themes on a story-to-story basis. The duo-tone orange and blue from the Risograph printing adds to the attractiveness of the overall work. This was by far the most skilled set of contributors and the most attractive presentation of stories yet conceived for this series, a trend that I hope continues for 2014.

  Rob Clough
  via High-Low
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Hellbound II has High and Lows

Hellbound Vol II is interesting because it's a focused anthology with a dedicated production staff and a list of contributors that doesn't stray too far from the Boston Comics Roundtable. With regard to the former, the organization of this anthology shows in the high production values and the sense of continuity in terms of design, which is owed to editor Jesse Lonergan and editor/designer Roho. From the stark yellow cover to the sharply-lettered table of contents, Hellbound 2 is a pleasant object to peruse.

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Rob Clough
via High Low